Anna Caterina Antonacci
As one of the top sopranos of her time, Anna Caterina won prestigious prizes during the Voci Verdiane Callas and Pavarotti competitions. She was awarded the French Republic has awarded her with the highest honour, the Chevalier de l'Ordre National de la Legion d'honneur. Era la Notte on the Naive Label was well received. Together with the pianist Donald Sulzen she also recorded L'Alba separadilla lumi l'ombra. The album includes Tosti Cilea and Hahn. Anna Caterina is one of the Accademici Effettivi, as voted by the distinguished panellists at the General Assembly of the Academicians of Santa Cecilia. It occurred in 2021. Anna Caterina played the role Madame de Croissy of Poulenc's Dialogues des Carmelites so far in the 22/23 seasons of Teatro dell'Opera di Roma, in a production directed by Emma Dante. The actress will reprise the part later on during the season with the Bayerische Staatsoper. Anna Caterina Antonacci was born in Italy. She is recognized as an Italian Soprano who is a performer of baroque, belcanto and other repertories. She primarily focused on her role in the Rossini Canon. She has been a mezzo-soprano since a few years. Anna Caterina Antonacci is 62 years old is not yet known for her size. Anna Caterina Antonacci will have her Height, Weight and Body Dimensions updated soon. She is currently single. She is currently in a relationship. No information is available about the relationship she has had in the past. Our Database confirms that she doesn't have children. There has been a substantial rise in her net worth between 2022-2023. What is Anna Caterina Antonacci's net worth now at the age of aged 62? Anna Caterina Antonacci makes most of her earnings through acting. Anna Caterina Antonacci's earnings come mostly derived from her success as a artist. In the past she was a mezzo-soprano. She also specialising in the Rossini Canon. Antonacci, who studied in Bologna made her Arezzo debut in the year 1986. In March 2012, the New York Times published a detailed biography of her.






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